![]() ![]() Having said that, Chander Pahar remains, notwithstanding its flaws, a superb film with some memorable moments. The climax, despite the heroics of the protagonist and a vastly improved Dev, fails to end the film on the proverbial high. And this is where Chander Pahar falters – as it fails to better the experience of the first half. When the action does resume, it is the vigour which is found wanting. As the intermission draws with the promise of a riveting mission, one hopes for the action to resume with renewed vigour. ![]() The first half is taut with action, with Shankar’s story bursting forth and running into one dangerous encounter after another. It is indeed sad, because having not held back financially and after boasting of some breath-taking scenes involving elephants, lion and dangerous snakes, it is a pity that a few minutes of special effects which are not up to the mark are what will prevent Chander Pahar from being counted as world-class. More importantly, on a tougher scale of contemporary world cinema, it does still hold its own, though a few sequences of shoddy special effects ruin the overall experience. In the perspective of Bengali or even Indian cinema, Chander Pahar will score remarkably high on the cinematography and the sequences involving animals. Kamaleshwar Mukherjee and his team do a commendable job of breathing life into the adventures of Shankar. In the perspective of Bengali or even Indian cinema, Chander Pahar will score remarkably high on the cinematography and the sequences involving animals ![]()
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